论文索引

Yuri is a Japanese manga sub-culture which refers to all kinds of works (manga, animation) that portray attraction between two girls, including spiritual bonding and shared values. Through examining the value and interpretation of this sub-culture by Yuri fans, this paper attempts to explore the construction of alternative sexuality identity among Yuri fans. This Japanese sub-culture has been implanted in Chinese fandom with the popularity of hit Yuri-related animations since 2004. With decades of development, Yuri has extended its application to various mediums including the slash fandom in TV dramas, idol groups, movies and spread its usage on Chinese social network platforms like Weibo. As a result of the popularity of Yuri, there has been a growing fan base in China and Chinese fandom has developed their own culture of Yuri that is characterized by their focus on specificity in their sexuality. They are enthusiastic about the spiritual connection and the sharing of inner life between two girls. Hence, when mentioning relationships, they have a higher emphasis on the deepening of spiritual bonds rather than sexual desire. In this sense, their highlight on the inner bond challenges the extant understanding of homosexuality and sexual intimacy. Besides, there has been a large proportion of female Yuri fans in the community. Although they would identify themselves as “non- heterosexual”, few identify themselves as ‘lesbian’. Yuri community are critical towards mainstream lesbian culture in China, especially butch and femme roleplaying. In this regards, I argue that Yuri could act a pioneer role in challenging the homonormativity in Chinese mainstream lesbian culture. This research adopted an online ethnography approach which is based on the Chinese largest Yuri forum, Yamibo forum. Through examining their culture and attitudes on intimacy, this research studies the construction of their alternative sexuality identity and contributes to the knowledge production of queer theory from their queer standpoint.

本文研討的多種文本，不約而同仰賴「愛錢來作伙」的邏輯：兩個女生能夠作伙，是建立在物質（錢，或其他有形無形的資本）基礎上；如果拆夥，往往就是因為物質利益不再。這個邏輯也區隔了文學中的男同性戀和女同性戀。當時文學中的男同性戀「者」各自獨立追逐色慾而不特別看重錢，「女同性戀『關係』」（並非各自獨立的「者」）則在乎（撮合雙方的）經濟而非（一人獨享的）肉慾。

台湾ACG界百合迷文化，乃是近十年透过网际网路自日本嫁接而来，台湾本土其实并没有「百合」一词的语境及文化脉络可循，发源于日本的百合迷文化，作为外来文化在异地根植时，异地台湾的迷群在欠缺文化脉络的情况下，为何可以又如何可以顺利接受该文化？本论文重心在建构初步的百合文化发展史，从日本原生百合文化的源流发展、日本百合文化经由网路传播路径流通到华文圈的移动脉络，乃至于华文圈百合文化从网路流通到进入台湾出版市场的土著状况，指出百合文化之所以能异地根植，乃因异地与原生地有着相同的社会结构作为土壤所致。